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Kwan: Right, the multiverse is so anti-narrative, because the moment you introduce it, no decisions matter. Scheinert: I think one of the initial challenges that made us want to write the whole movie is that we didn’t like the idea of the multiverse because if there are an infinite number of universes, cause and effect and meaning break down and I don’t want to make a movie that ignores that fact or I’ll feel like a hypocrite. So frequently the answer to questions like “What’s the point if nothing matters?” is a trite but well-meaning platitude like “the power of love!” And yet, Everything Everywhere All at Once mostly sidesteps that hackneyed conclusion, especially when Waymond ( Ke Huy Quan) responds to it not so much with an answer, but simply a command to “be kind.” Can you talk about how you were able to land the movie without falling prey to those cliches? We switched out what absurd things were going to happen a lot. Those are the weird moments that make life so special and make the unbearable weight of consciousness a little more bearable.ĭaniel Scheinert: From square one, we were like: “It’s going to be a sincere emotional thing with a lot of absurdity." But, specifically, the butt plugs we didn’t come up with until pretty late. The character Waymond is so silly and he sings and dances with his customers, and the whole time you’re like: “Why are you doing this? You’re useless.” I think people watching our movie who don’t understand why we’re putting the butt plug fight scene, or the hot dog fingers, or the talking rocks in, might not realize that is the point. The whole film is a manifesto for the weird, the funny, the insignificant, the things that don’t take themselves too seriously. To me, I feel like the silly stuff is the point of the movie. I think people are responding to our movie because it feels more reflective of the modern experience than some other films that are being made these days. I think people want their dramas to be dramatic and they want their comedies to be funny, but real life is so much messier than that. Life is a messy amalgamation of all the feelings and all the experiences we have. SYFY WIRE chatted with the Daniels about making a movie that’s both zany and earnest, the challenges of avoiding platitudes, and the NSFW explanation of hot dog-finger biology.Ī still from the film Everything Everywhere All at Once (2022).Īt what point did you realize your beautiful movie about love and life would also include a butt plug fight scene? Or should I be asking: At what point did your butt plug fight scene movie also become about love and life?ĭan Kwan: It’s all intertwined. Whatever backlash may or may not lurk on the horizon, there’s plenty to celebrate in Everything Everywhere All at Once and a lot to talk about. Hopefully, we don’t take it so personally that then we’re afraid to take risks in the future because those risks really paid off for some folks.” We want to know what people are feeling and why, and what didn’t hit home and why. “I think we’re, within reason, interested in the backlash. “It’s an ongoing conversation with our parents and their parents, and it’s almost like the movie is acting itself out as these generations try to communicate with each other, and that’s exciting,” Scheinert continues. The film, which stars Michelle Yeoh as a laundromat owner who is literally living her worst life (in her corner of the multiverse), builds to a grand, crazy emotional climax when she and her daughter (Stephanie Hsu) must reconcile their relationship and make sense of it all - literally it all. “So far, the people who like it the least are the parents of our cast and crew, because it reflects on them, you know? ‘My kid worked on this and it confuses me!’” Scheinert tells SYFY WIRE. If you’re at familiar with how things tend to go online, however, you know that whenever something is this beloved and popular, a backlash is sure to follow.īut Daniels - the director duo of Dan Kwan and Daniel Scheinert - say the harshest criticisms they’ve received for the film have come from a perhaps unexpected source. 1 title on Letterboxd, a movie-cataloging social media site favorited by film buffs. The multiversal masterpiece Everything Everywhere All at Oncehas enjoyed almost unanimously glowing reviews and word-of-mouth since it premiered in late March, to the point where the movie is now the No.